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Richard Thompson at
Parchman Stremmel |
"What I see in nature is often
fleeting and elusive. What I think about in the
studio is creating art that is composed and clear.
In between those two competing visions is my
expression of that tension, in other words, my
work... my nature..."
Click images for larger view.
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Red Window, oil on
canvas |
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Webs and Waterfall, oil
on canvas |
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Red, Yellow, Green, oil
on canvas |
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Gary
Sweeney
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This is a quote from Gary for his
statement about his current images. He is part of
the September 17th tour.
"The City of San Antonio has commissioned me to
create a piece of artwork for the new airport
parking garage under construction.
What I have designed is a series of nostalgia
baggage labels that highlight San Antonio and the
surrounding area. My intent is to celebrate and poke
gentle fun at the uniqueness of South Texas, in a
style that resembles tourist luggage labels from the
past."
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Photography &
Sculpture at Gallery Nord |
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Photograph is by Melanie
Rush-Davis entitled "Evening Journey"
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Sculpture by George Schroeder
entitled "Assemblage in Iron"
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Photograph is by Daniel Borris
entitled "Capilla, Guanajauto, Mexico 2004" |
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Ansen
Seale |
Bloodlines
In the past, most of my work has been
photo-based. Though this new work is not
photography, it has its roots past work. It is
“reality-based”, not with physical objects, but
concepts.
In our modern world of “millions” and “billions”,
the viseral meaning and understanding of these
numbers is often lost. My desire was to bring them
into the physical world, to produce actual visual
representations of very abstract, yet completely
real concepts of numbers that approach the infinite.
What does pi look like? What does a million digits
of anything look like? Is there any pattern to prime
numbers? To make numbers real and tangible in a way
that we can start to understand was my goal
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Evergreen, 24x56,
Digital Slitscan photograph |
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Oil for Food, The
artist's blood on illustration board |
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