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| Wednesday, October 12, 2011 - 6:15 PM |
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Chuck Ramirez/Minimally Baroque at Blue Star |
Chuck Ramirez
1962-2010
Chuck Ramirez was an artist and designer who lived and worked in San Antonio, Texas. His large-scale photographic portraits and installations of banal objects are humorous, yet poignant metaphors for the transient nature of consumer culture and the frailty of life. |
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| Broom Series: Untitled 2007 (Image: Courtesy Blue Star Art Center) |
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Trash Bag Series: Black Sack I (Image: Courtesy Blue Star Art Center) |
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| Wednesday, October 12, 2011 - 7:15 PM |
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Studio/Mulberry Street Bridge Visit with Diana Kersey - Architectural Ceramics/Studio Pottery |
Diana Kersey is a visual artist who works in clay, creating both studio pottery and architectural ceramics. Her work possesses a raw, textural quality, with the clay encompassed in a translucent, earthy glaze. The birds, insects, fish, and flowers present in her work suggest a primordial narrative, while the underlying decorative grids and motifs capture the relentless energy, complexity, and contradictions that pulse through our contemporary society. |
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Mulberry Street Bridge, 2011 |
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Mulberry Street Bridge, 2011 (detail) |
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| Studio Pottery |
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| Wednesday, October 19, 2011 - 6:15 PM |
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| Fiber Artists of San Antonio at Gallery Nord |
Fiber Artists of San Antonio is a volunteer organization dedicated to education, opportunity, and professional development. The FASA mission is to promote and advance fiber arts through the education of members and the public. Our annual exhibitions provide opportunities for members and other artists to exhibit their work, and for the larger community to gain a greater appreciation for fiber art. Each exhibition is juried by a reputable and well-respected member of the fiber arts community nationwide. |
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| Lisa Kerpoe |
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| Naomi Wanjiku "Urumwe" (Unity) |
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| Laura Ann Beehler |
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| Wednesday, October 19, 2011 - 7:30 PM |
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| Studio Visit with Larry Graeber - Painter/Sculptor |
Larry Graeber: Captivated early on by the postimpressionists, I was struck by their dynamic expressive attempts at redefining their subjects, the figure and landscape. Early in my career I emulated these artists and their subjects. Seeking to grow and develop my work I turned to nonobjective motifs, expressive gestural configurations, primary patterns, grids, circles and ovals. Configuring them into patterns of two dimensional flat fields or applying an aspect of perspective to achieve some illusionary semblances. While developing these subjects and in an effort to affirm one of the great pleasures I have always gotten from great painting, that being their physicality and handcrafted quality, I use brushes and frequently incorporate such tools as trowels, squeegees and sticks to help delineate and invigorate my process of painting. Together with these tools and my quest for orders and structures, I seek to emulate my fondness for nature and phenomena. |
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| April Noise, oil on canvas, 39.5" x 58", 2011 |
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| Parallel Red, oil on canvas, 40" x 57", 2010 |
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